Bibliography

Dixon, S. (2007) ‘Memory’ in Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. London: Routledge.

Ford, S. (2005) ‘Potlatch, Psychogeography, Dérive, and Détourement’, in The Situationist International: A User’s Guide. London: Black Dog Publishing, pp. 33-37

Gob Squad (2014) Revolution Now! Available at: http://www.gobsquad.com/projects/revolution-now (Accessed: 4th May 2014)

Govan, E., Nicholson, H. and Normington, K. ‘Narratives of Community’ in Making a Performance: Devising Histories and Contemporary Practices. London: Routledge

Westerkamp, H. (1974). Soundwalking. Sound Heritage. 3(4),  pp. 1.

O’Donnell, D. (2006) ‘An Aesthetic of Civic Engagement’ in Social Acupuncture – A guide to Suicide, Performance and Utopia’ Toronto: Coach House Books.

Pearson, M. (2006) ‘Bubbling Tom’, in In Comes I. Exeter: University of Exeter Press, pp. 21-29.

Pearson, M. (2006) In comes I. Performance, Memory and Landscape. Exeter: University of Exeter Press.

Pearson, M. (2010) Site-Specific Performance. Basingstoke:Palgrave Macmillian

Pinder, D. (2005) ‘Arts of Urban Exploration’, Cultural Geographies, 12(4), pp. 383-411

Rendell, J. (2006) ‘Site, Non-Site, Off-Site’ in Rendell, J. Art and Architecture: A Place Between

Tompkins, J. (ed.) (2012) ‘The ‘Place’ and Practice of site-Specific Theatre and Performance’, in Birch, A. (ed.) Performance Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan.

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